Gospel in Art: Nicodemus challenged his fellow pharisees

Nicodemus Visiting Jesus, by Henry Ossawa Tanner, 1899 © Pennsylvania Academy of Fine Arts

Source: Christian Art

Gospel of 16 March 2024
John 7:40-52

Several people who had been listening to Jesus said, 'Surely he must be the prophet', and some said, 'He is the Christ', but others said, 'Would the Christ be from Galilee? Does not scripture say that the Christ must be descended from David and come from the town of Bethlehem?' So the people could not agree about him. Some would have liked to arrest him, but no one actually laid hands on him.

The police went back to the chief priests and Pharisees who said to them, 'Why haven't you brought him?' The police replied, 'There has never been anybody who has spoken like him.' 'So' the Pharisees answered 'you have been led astray as well? Have any of the authorities believed in him? Any of the Pharisees? This rabble knows nothing about the Law - they are damned.' One of them, Nicodemus - the same man who had come to Jesus earlier - said to them, 'But surely the Law does not allow us to pass judgement on a man without giving him a hearing and discovering what he is about?' To this they answered, 'Are you a Galilean too? Go into the matter, and see for yourself: prophets do not come out of Galilee.'

Reflection on the painting

In today's Gospel reading, we encounter Nicodemus, marking his second of three appearances in the Gospel of John. Initially introduced as a curious seeker who approaches Jesus under the cover of night, Nicodemus is portrayed as intrigued by Jesus yet hesitant to fully embrace his teachings. His journey of faith is subtly woven through John's narrative, culminating in his participation alongside Joseph of Arimathea in ensuring Jesus receives a respectful (indeed, lavish) burial. This progression illustrates Nicodemus's gradual movement towards a deeper understanding and commitment to Jesus. Our reading today is the second (and middle) appearance of Nicodemus. Despite being a Pharisee, he displays remarkable bravery by questioning the outright dismissal of Jesus by his peers, who criticize Jesus based on his origin in Galilee, a region they regard as insignificant compared to the religious hub of Jerusalem. Nicodemus advocates for fairness and due process, arguing that Jesus should not be judged without first being heard. This stance places him at odds with the prevailing opinions of his colleagues, and his challenge is met with scorn, evidenced by their sarcastic comment "Are you from Galilee too?"

Nicodemus's growing relationship with Jesus left him increasingly isolated in the world where he had been so much at home. He actually reminds us that as we grow in our relationship with Jesus, there is often a price to be paid. We may find ourselves a lone voice among our peers. At such times, we know that the Lord is always with us.

Henry Ossawa Tanner painted our canvas in 1899, depicting the first of the three mentions of Nicodemus in John's Gospel (John 3:1-21). The painting was Tanner's entry to the 1899 Paris Salon. We see Nicodemus talking privately to Christ in the evening, a good example of Tanner's nocturnal light paintings. The painting was purchased there for the Wilstadt Collection, Philadelphia, and is now in the Pennsylvania Academy of Fine Arts. The narrative of Nicodemus' meeting with Jesus held significant meaning for Henry Ossawa Tanner's father, Benjamin Tucker Tanner. He was a Bishop in the African Methodist Episcopal Church and had aspirations for his son to join him in the ministry. While Henry's decision to pursue a career as an artist fell short of his father's dream, his talent for painting ultimately produced works that his father could admire and support.

LINKS

Gospel in Art: https://christian.art/
Today's Reflection: https://christian.art/daily-gospel-reading/john-7-40-52-2024/
Competition: The Laudamus Award 2024 for Sacred Art - www.indcatholicnews.com/news/49310